12/15/2023 0 Comments Starlight muse release dateFue lanzado el 4 de septiembre de 2006 en el Reino Unido como el segundo sencillo de Black Holes and Revelations. La canción alcanzó el puesto # 13 en el UK Singles Chart. También fue el segundo sencillo lanzado en Estados Unidos, alcanzando el número dos en la lista Modern Rock Tracks. La canción fue interpretada en vivo durante el festival de Radio 1's Big Weekend en el verano de 2006. En las interpretaciones en vivo Starlight es tocada usualmente medio tono bajo (si bemol mayor) del tono original Si mayor. «Starlight» es una canción por la banda de rock alternativo Inglesa Muse y es la segunda canción de su álbum de 2006 Black Holes and Revelations.It was also ranked at number four on Colombian radio station Radiónica's 2006 top 100. It also charted in at number nine on the Triple J Hottest 100, 2006. "Starlight" has also peaked at number two on Billboard's Modern Rock Tracks chart, Muse's second highest charting single to date on any major chart in the US. The next week, "Starlight" had fallen out of the Top 75. Since then, the single's chart position steadily declined, and it remained in the Top 75 after fifteen weeks, during the week of December 11, 2006. The following week, and with the physical release in the United Kingdom, the single peaked at number 13. "Starlight" entered the UK Singles Chart the week of September 3 at number 38 via digital downloads. In her review, she commented that "the band's musical arrangements on the track do not come into being just by accident." She also stated that the song was just as passionate when performed live as when heard on CD. Meanwhile, Leeds Music Scene reviewer Maria Pinto-Fernandes gave "Starlight" a glowing review, with a score of 4.5 stars out of 5. MusicOMH stated that the song was "a track perfectly at home on drivetime radio" while saying it "showcases another side to the band's music and their staggering breadth of appeal." NME's review was harshly critical of the song, with the reviewer stating that the song "is a tune so chart-hungry it's virtually dry-humping JK and Joel's legs." "Starlight" received mixed critical reviews, from various publishers. Matthew Bellamy stated in an interview with The Sunday Mail that the band wanted to "create the idea of a band lost at sea because we see ourselves as being outside what's happening in the music scene." He also told the interviewer, Billy Sloan, that "it was an epic feeling playing on a huge platform with the sea all around us." This relates to the song's lyrics, which mentions ships and abandonment. Band members are also carrying flares, in an attempt to "get rescued," but in the end this fails and they are abandoned. In the video, the band perform on the deck of the MS Ocean Chie, a handysize bulk carrier. Muse worked with Paul Minor on Starlight's music video, which was filmed in Los Angeles. This version was presumably created to give the song a sound more suitable for radio broadcast. In a separate interview with Tom Wilson and Lara Mathews, posted on MuseLive Forums, Wolstenholme was asked what he thought "was the hardest song on the album to record?" His response was "Starlight," stating it "was one of the songs we went around in circles with, and we recorded maybe six or seven different versions of it."Īn alternative mix of "Starlight", known as the "New Mix, "Radio Mix" or "Radio Version" was distributed on promotional media only. Bassist Chris Wolstenholme said that it is "a love song about missing someone, friends, family, someone you love." Lead singer Matt Bellamy commented that he first wrote the song on a boat in bad weather. "Starlight" was first written in the band's practice studio in late 2004. In live performances "Starlight" is usually played half a step down from the key of B used on Black Holes & Revelations. The song was first played live during the Radio 1's Big Weekend festival in summer 2006. It was also the second single released in the United States, reaching number two on the Modern Rock Tracks chart. The song peaked at #13 on the UK Singles Chart. It was released on 4 September 2006 in the United Kingdom as the second single from "Black Holes and Revelations". "Starlight" is a song by British alternative rock band Muse and is the second track on their 2006 album Black Holes and Revelations.
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12/15/2023 0 Comments First degree burn on handAfter you pop the blister, apply an antibiotic cream and, whatever you do, make sure not to rip any of this skin off. Gently press on the blister to drain the fluid. Using a sewing needle, which should also be sterilized with rubbing alcohol, gently poke the side of the blister, Zeichner says. To do this, grab some rubbing alcohol and sterilize the blister and surrounding skin. "If the blister is large, and you feel up to it, you can try to drain it," says Zeichner. You have to be especially careful with the blisters. But as it heals, the experts say it's important to pay closer attention to spot signs of infection. Zeichner recommends Vaseline Intensive Care Advanced Repair Lotion to help seal in moisture.įor a mild second-degree burn, you can treat it pretty much the same way you would a first-degree burn. The remedy? Keep it moist with aloe vera gel or a light petroleum-based lotion. Since a burn disrupts the skin barrier, it can become extra dry and sensitive as it heals. "Instead look for gentle, hydrating, soap-free cleansers like Dove Deep Moisture Nourishing Body Wash that effectively cleanse the skin and hydrate at the same time - without causing more damage to the outer skin layer."įinally, you want to make sure to keep scorched skin moist. To safely clean your burn stay away from any exfoliating cleansers and harsh soaps, which have an alkaline pH and can be irritating, Zeichner explains. "But overly scrubbing the skin, which is already weakened from a sunburn, can cause more harm than good." "Especially after leaving the beach, you may want to scrub the skin to remove dirt, sand, oil, and sunscreen," he explains. The key word here though is gently, Zeichner stresses. Gently cleansing your skin after a first- or second-degree burn is also important. 12/15/2023 0 Comments Php for loop continue breakIf you have ever played the card game UNO, continue is basically the skip card, and break is someone slamming their cards down screaming I am the winner and leaves the room. Break provides more aggressive control by completing skipping out of the loop and onto the code following the loop. Continue is the nicer one of the two as it prevents the current iteration, or flow through one pass of the loop, and just tells PHP to go to the next round of the loop. Continue and break provide extra control over your loops by manipulating the flow of the iterations.
12/15/2023 0 Comments Sonya wilde“Grave Endings: The Representation of Passing.” Australian Humanities Review (2001): n. “It Takes One to Know One: Passing and Communities of Common Interest.” Critical Inquiry (1994): 715–736. Not only does Wilde’s casting as Bernice/Lila take away opportunities for black actresses, but her representation makes blackness invisible from the advertisements in order to appeal to a white audience.ī. Nothing about the two images in which the viewer can see Wilde’s face suggests blackness. However, it also challenges the possibility of accurate representation (Rooney). The passing discourse agitates categorization of the visible body, and it challenges the meaning of race and racial belonging. Only Wilde’s whiteness makes this image possible. I Passed for White was released in 1964 during the Jim Crow era, and the image would not have been created or circulated if the actress were black or even appeared black. Franciscus has his arms wrapped around Wilde, whose legs curl behind her as she gazes into Franciscus’ eyes. The outline of her breasts, covered by her white dress, appears prominently against the darkness of Franciscus’ suit. In this image, Wilde lays suggestively on top of Franciscus with her back arched and hands clasped behind his head. The importance of Sonya Wilde’s whiteness becomes most obvious in the image below this text. The mirror represents an internal, self-reflective conflict about her racial identity rather than “society” or “her husband” saying yes. This text more accurately reflects the passive way Bernice initially accepts the perception of her skin color. Following Wilde’s gaze, the text “Can I pass for white? …the mirror says ‘yes!’ What man knows the color of love?” appears in the upper left corner of the advertisement. The advertisement appeals to white fears about passing. On the other hand, Bernice’s black grandmother believes Bernice is committing a crime against herself by not expressing her true identity. This image appeals to a white audience who would view passing as a deviant act. She directs her gaze in the opposite direction of the words, creating an appearance of deceitfulness. The words of the film title, “I Passed for White,” stretch across her forehead and rest above the shadowed portion of Wilde’s face. Her features are cast in shadows, creating an air of mystery and mystique. In the largest image, Wilde looks to the side with a preoccupied expression. The third and smallest image shows Wilde dancing with Franciscus as she faces away from the viewer. The second image shows Wilde with James Franciscus as her husband, Rick Leyton. The largest is a close-up in which only her face is visible. The advertisement shows three images of Wilde. The newspaper advertisement above allows a critique of how passing is presented in the film. Sonya Wilde’s whiteness, and the flexibility afforded to the film because of it, is apparent in the promotional materials for the film as well. To avoid controversy, they cast a white actress instead of a fair-skinned black actress (). The Hollywood studio chose not to cast a black woman partly because many studios feared that white Americans would not want to see an on-screen relationship between a real black woman and white man. This choice angered many black Americans, especially in Hollywood, who wanted a black actress to portray Bernice. I Passed for White sparked controversy because Sonya Wilde, a white woman, played the role of the fair-skinned black Bernice Lee. At the end of the film, she returns home to her family. Lila denies this accusation but does not tell her husband the truth about her identity. He subsequently accuses her of sleeping with a black man. The main conflict of the film comes when she gives birth to a stillborn child and accidentally blurts out “but the baby, is it black?” in front of her husband. When Lila gets pregnant, she fears that the baby will have black features, which will reveal the lies she has been telling her husband and his family. The only people who know her true background are her friend and eventually her black maid. She marries a white man from a wealthy family without telling him that she is not white. Unhappy with how people treat her once they find out she is a black, Lee moves to New York and lives as a white woman under the false name Lila Brownell. The 1960 film follows the fair-skinned Bernice Lee, played by Sonya Wilde. I Passed for White is a low-budget Hollywood film based on the 1955 novel, I Passed For White, by Reba Lee “as told by” Mary Hastings Bradley. 12/15/2023 0 Comments Civilization vi trainer and cheatsSid Meiers Civilization VI (New Update) How to. If you've discovered a cheat you'd like to add to the. Have a look at the readme and try to deactivate and reactive the DLC to see if it fixes it. This is a trainer for Sid Meiers Civilization VI (New Update) will show how to cheat. This page contains a list of cheats, codes, Easter eggs, tips, and other secrets for Sid Meier's Civilization VI for PC. That message means gathering storm DLC is not active. Civilization VI: Gathering Storm v1.0.0.314 +12 TRAINER Civilization VI: Gathering Storm v1.0.0.290 +12 TRAINER Civilization VI: Rise and Fall v1.0.0. This trainer may not necessarily work with your copy of the game. Trainer was working, i made a new game and when im sitting looking at my first city i tried to activate trainer and now im getting this error: 03:40:44: Civilization VI Gathering Storm, 1.0.12.53 (STEAM/EPIC), Last modified: 13:24:50Ġ3:41:54: Successfully attached to CivilizationVIĠ3:41:54: Capture Unit Base Address, Script error in line 6: The module name 'GameCore_XP2_FinalRelease.dll' does not exist!Ġ3:42:07: Successfully attached to CivilizationVIĠ3:42:07: Capture Unit Base Address, Script error in line 6: The module name 'GameCore_XP2_FinalRelease.dll' does not exist!Ġ3:43:58: Successfully attached to CivilizationVIĠ3:43:58: Capture Unit Base Address, Script error in line 6: The module name 'GameCore_XP2_FinalRelease.dll' does not exist!Īnd yes im running DX11 version and own all DLCs Gameplay-facilitating trainer for Sid Meiers Civilization VI. 12/15/2023 0 Comments Tunnel coreIn this dialog, you’ll specify 4 pieces of information. Let’s get started by creating a new tunnel with the Create a Tunnel menu option. In this flyout you can select the active tunnel, you can create a new tunnel and you can open the new dev tunnels tool window. When you have a solution loaded in Visual Studio with an ASP.NET Core project set to start, you should see a new entry in the debug dropdown for dev tunnels. These properties are no longer required and can be removed from that file, if they are not removed, they will be ignored. If you have used this feature in the past, you may recall that you needed to add two properties to launchSettings.json. You will also need to be signed into Visual Studio to create and use dev tunnels. You can find this at Tools -> Options -> Environment -> Preview Features, and select the option Enable dev tunnels for Web Applications. To get started, you must first enable the dev tunnels preview feature. No longer uses properties in launchSettings.json.UI to easily select the active tunnel to be used.Create and use tunnels with different accounts.A persistent URL uses the same URL throughout its lifetime. Support for persistent and temporary tunnels.In this release we are adding many significant updates, including the following. If you would like to view these updates in a video instead of reading a blog post, watch this video by Sayed. We will cover those updates here, as well as the overall support since a lot has changed in this release. You can download the latest preview at Visual Studio Preview (). If you have read the previous posts here about these features, you’ll want to read this one as well because we have a lot of big changes in Visual Studio 2022 17.5 Preview 2. In this blog post we will discuss the updates to the dev tunnels (port forwarding) experience in Visual Studio when working with ASP.NET Core projects. 12/15/2023 0 Comments Zacc milne sexual orientationZacc Milne was born in the Year of the Tiger. The symbolism behind the name speaks well of their nature, born with a feeling they are experiencing everything for the first time. This is a sign often misunderstood, not because they lack the ability to express, but because they won’t accept their feelings as valid, true, or even relevant when opposed to reason. Their methodical approach to life ensures that nothing is left to chance, and although they are often tender, their heart might be closed for the outer world. According to astrologers, Virgos are always paying attention to the smallest details and their deep sense of humanity makes them one of the most careful signs of the zodiac. We describe how SCT provides useful ways to conceptualize and study gender/sex and sexual diversity and gives important insights into sexual and gender minority experiences, orientations, and identities.Zacc Milne’s zodiac sign is Virgo. Public Significance Statement In this interview-based study based on sexual configurations theory (SCT), participants used SCT's diagrams to locate their gender/sex identities and sexualities (including separating out gender, sex, and gender/sex, a combination of the 2) and partner number sexualities (including separating nurturant and erotic sexualities). We discuss implications of our findings for qualitative research with sexual and gender minorities, social justice, and sexual and gender diversity more broadly. Results showed that SCT and its diagrams allowed participants to represent diverse experiences with their partnered sexualities and gender/sexes, and also to articulate nuanced conceptualizations of the structure and significance of SCT parameters, including gender/sex sexuality, partner number sexuality, and individual gender/sex, in their own lives. In the present study, we tested the qualitative application of SCT in interviews with 25 gender and sexual minority participants and addressed 2 research questions: RQ1 ("Insights "): what features of partnered sexualities and gender/sex emerge from individuals' engagement with SCT diagrams? and RQ2 ("Utility "): how might SCT be useful for qualitative research with sexual and gender minorities? We thematically analyzed participants' engagement with SCT and its diagrams in the interviews. It may be of use to sexuality and gender researchers, as well as clinicians, activists, and individuals, but has not been empirically tested. Sexual configurations theory (SCT van Anders, 2015) provides theoretical and methodological tools for describing, understanding, and studying gender/sex and sexual diversity. Constitutively, these social spaces were prone to: (1) interdisciplinary synthesis and comprehensive approaches (2) the study of topics that reconsidered beliefs about gender roles in plant and animal reproduction (3) work that would be slower and take longer to produce (and publish) but might make a large contribution (be a high quality product) eventually and (4) an awareness by women that their practices were different in some ways than the practices of their male colleagues. Contextually, social spaces controlled by women were likely to emphasize: (1) teamwork bringing together participants with varied backgrounds and perspectives (2) flexible and collaborative use of physical space and (3) willingness to do work for which they went unacknowledged or to share rewards equally even when the work distribution was not equitable. There was some evidence that the unusually high representation of women in positions of leadership in the biology department did result in changes in both the contextual and constitutive values of how science was conceptualized, practiced and taught in this setting. Findings included the organization of a status hierarchy within the department, the meanings of science and scientists that students constructed within the social spaces they occupied, examples of individual resistance to certain norms of biology practice, and examples of institutional opposition to that resistance. My purpose was to look at both the contextual and constitutive values of science as they were negotiated and played out in the training of scientists in a setting where: (1) women were well represented in leadership positions and (2) "mainstream" science was being both taught and practiced. It builds upon recent work in anthropology of education and feminist science studies. This study explores how science and scientists were produced and reproduced within the setting of a university biology department. 12/15/2023 0 Comments Subsonic 22lr with suppressorWe recommend researching your local hunting regulations. The National Firearms Act prohibits unapproved transfers, including loans, even to family members or spouses.Ĭertain states allow hunting with suppressors. Because the suppressor is registered only to you, you may not loan it to anyone else. (This is the purpose of the Form 4.) Your state or local government may also require additional registration.Ĭan I loan my Silent-SR® to a friend or family member? Yes federal law prohibits taking possession of a suppressor that is not registered to you or to a trust or LLC of which you are a member. Please be sure that you fully understand whether you may own a suppressor in your state, and for what uses it is allowed, before you use your Silent-SR®.ĭo I need to register my Silent-SR® with the government? Various state and local laws also regulate the use or possession of suppressors. What laws regulate the use of my Silent-SR®?įederally, suppressors are regulated under both the National Firearms Act and the Gun Control Act (). Be advised however that, in addition to any charges associated with the new Silent-SR®, replacement will require completion of a new Form 4 and payment of an additional $200 transfer tax. If my Silent-SR® is damaged beyond repair, can Ruger replace it for me? There is no need for you to complete and file an ATF Form 5 for repairs. Please contact Customer Service at 33 and someone can help you.ĭo I need an ATF Form 5 to ship my Silent-SR® to Ruger for service or repair? How do I ship my Silent-SR® to Ruger for service or repair? Please contact Customer Service at 33 and someone can help you. There is typically a wait time of several months.Ĭan I send my Silent-SR® to Ruger for service or repair? How long will it take for my Form 4 to be approved by ATF?ĪTF publishes a list of current wait times, which is updated quarterly and is available here. Additional information about items regulated by the National Firearms Act is available from ATF here. ATF publishes a list of current wait times, which is updated quarterly and is available here. Please note that there is frequently a significant delay (typically, several months) associated with the approval of a Form 4. Once ATF has approved your Form 4 and returned it to your local retailer, your retailer can transfer the Silent-SR® to you. To purchase your Silent-SR®, you must submit all or some of the following Forms and information to ATF, depending upon your method of purchase: ATF Form 4 (in duplicate) a check or money order in the amount of $200 for the transfer tax and either passport photos and fingerprints (if you are purchasing as an individual), or trust documents or LLC articles of incorporation (if you are purchasing the suppressor through a trust or LLC). You should always independently verify the accuracy of the information you find online. The American Suppressor Association often has information about state-by-state suppressor laws Learn More. In order to purchase a Silent-SR® from your retailer, you must be at least 21 years of age, a resident of the United States residing in a state that allows civilian ownership of suppressors, and be legally eligible to purchase a firearm. What is required to purchase a Silent-SR® (How do I do it)? Please note that not all retailers deal in NFA-regulated items. You may purchase a Silent-SR® at your local Ruger® retailer who deals in items regulated under the National Firearms Act ("NFA").
12/15/2023 0 Comments Spacenet internet plansdoes not offer internet, TV, or home phone service. is a website intended for research, review and comparison and, as such, falls under "Fair Use". Certain providers listed on our website offer us affiliate revenue, or a referral fee when you order their service.ĭisclaimer: All rights reserved. We continuously update the website to provide you with the latest deals and most accurate information. We provide information collected from providers, publicly available websites, and government sources. Other restrictions, Frontier policies and service terms apply.įrontier provides Fiber Internet, Phone services in Muskegon, MI.Īffiliate Disclaimer: is an independent, review, availability, comparison, and research website that is supported by advertisement, referral, and affiliate compensation. Other applicable charges and additional services are extra. A fee up to $150 per device for Fiber 500, 1 Gig, and 2 Gig, and up to $400 for Fiber 5 Gig also applies if equipment is not returned. A $50 equipment restocking fee per household applies when Internet is disconnected. Performance details: /internetdisclosures. Fiber 5 Gig (4500-5000) and requires 5 Gbps capable devices and wiring. Max speed capable range for Fiber 500 (450-500 Mbps download/upload), Fiber 1 Gig (846-1000 Mbps download, 792-1000 Mbps upload), Fiber 2 Gig (1800-2000 Mbps download/upload) and requires 2 Gbps capable devices and wiring. Max speeds are wired, Fiber 1 Gig location dependent. For new residential Internet customers only. 12/14/2023 0 Comments Ableton live sierraRead LessĬhristina’s performance career has led her to sharing musical stages with artists like Thom Yorke, Questlove, Amon Tobin, and Flaming Lips and has toured extensively across the world with her multimedia shows. Check out Barra’s work as an artist on all platforms, and catch her live electronic performances on YouTube. She has presented at Loop, NAMM, SXSW, Moogfest, Gearfest, KIEM, Future of Music Coalition, Yale’s EXPOL, and Re-Mixed Media Festival. Specializing in composition, performance, and creative music technology application, she has worked with and represented companies such as Ableton, Splice, ROLI, MusicTech, Moog, and iZotope. Specializing in music technology integration, she works with artists and bands looking to integrate laptops and digital technologies into their writing, production and stage setups, and has developed, taught and executed several music technology curriculums at the open source (Coursera and ROLI), K-12 (Beats By Girlz), and collegiate levels (Berklee College of Music, Berklee Online).Īn authoritative voice in music, tech, and education, Barra is the Director of Popular Music at Arizona State University, Executive Director of Beats By Girlz, course developer for Berklee Online and former Associate Professor at Berklee College of Music in Boston. Assignment 12: Review Your Classmates’ Final Performances.Synthesis, Sampling, and Digital Signal Processing.Assignment 11: Format Your Arrangement for Performance.Moving From Arrangement to Session View.Assignment 10: Compose, Sequence, and Record.Troubleshooting Computer and Session Issues.Assignment 9: Generate Ideas in Pre-Production.Assignment 7: Use Effects to Finish Your Project.Assignment 6: Create Your Arrangement and Mixing for Dimension.Assignment 4: Create a Short Composition.Assignment 3: Create Final Version of Project.Moving From Session to Arrangement View.Prepare your session for live performance.Troubleshoot computer and session issues.Use Audio and MIDI effects to enhance your project.Create an arrangement using mappings, groupings, and tracks.Compose in Ableton Live using MIDI sequencing and MIDI editing.Upon completion of Ableton Live Fundamentals, you will have composed and produced five original pieces of work and you’ll feel confident and empowered to challenge yourself even further inside Ableton Live.īy the end of the course, you'll be able to: All types of creation and styles are supported. You’ll engage in hands-on experimentation, always making music throughout the 12 weeks of this course. Performers wanting to add digital tools into their performanceĮvery week you’ll receive both technical and musical guidance which will allow you to create your own original productions inside of Ableton Live.DJs wanting to expand into music production.Experienced producers wanting to learn Ableton Live.Novices that want to learn to make music. This course will touch upon all of these fundamentals, also covering aspects of production, synthesis, sampling, effects processing, and workflow inside of this unique software.
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